As the resident self-indulgent, judgemental, feminist blog writer in Jerusalem, I have taken it upon myself to review the local performance of Vagina Monologues. After seeing the Jerusalem opening night performance, I went home and started my research, so as to educate myself further. I watched it again on DVD, I recalled the other 3 times I had seen it, I took out a hand mirror and gave my own self a good once over and the words started to flow…
A vagalicious time was had by all last night at Mercaz Hamagshimim when BamatMabat (it’s a mouthful but well worth it) put on a great performance of the v-jeej monologues. I found myself pleased as punch to be screaming CUNT at the top of my lungs with the diverse crowd; we were women young and old secular religious and men young and old, straight and questionably not.
When TWeiss politely demanded that we scream CUNT so loud that Nir Barkat look up from his desk and ask himself, “What the cunt was that?”, we obliged, giggling all the way. My favorites included “Hair”, “The Woman who Loved to Make Vaginas Happy”, “Reclaming Cunt” and The Vagina Work Shop”- they were every bit as def jam poetry meets personal interview meets character defining moment as they were intended to be. They were honest and unabashed.
As the twat fun facts were read into a HUGE black dildo, in lieu of a microphone, it almost helped you forget that these fun happy pussy monologues were interspersed appropriately with sad truths about female genital mutilation and rape. As we women know, this body we are blessed with comes with 2 sides: the sexy, curvy, fun, wonderland adventure side and the harassed, scrutinized, ogled, invaded side. The monologues were honest and brave.
Which makes what followed them a bizarre occurrence: After the amazing vajayjay monologues ended, they didn’t turn up the house lights. They introduced a manalogue. A man was to perform a monologue from Mending Monologues, a well-intentioned group of men combating violence against women with their monologues, which looks strangely like a sad ass attempt to jump on the back of Eve Ensler’s success.
The act that ended the evening undermined the entire show for me. I don’t mean to undercut the great monologues I described earlier, but the manalogue was a disgrace to them. The acting and the passion was nowhere close to the level of the brilliant women who had come before him.
The truly atrocious part was the content. The monologue was called “For Lisa” and it involved a white Joe-college who realizes that his studly friend who was always “getting laid” was actually a serial date rapist who, above all else, had raped his poor little pal, Lisa. In response to the news that the friend he once admired is a rapist, Joe college conspires to wreck the rapist’s car (you know, bash the windows in and spray paint “rapist” on it). The monologue refers to wrecking the asshole’s car as “karma”…
Newsflash:
- Being raped is not at all comparative to having your car windows smashed. The very thought of that comparison proves that a man who has not been raped or sexually abused can barely conceptualize the meaning of it.
- Trying to understand rape and trivializing it in your failure, is a real insult.
- Taking a monologue that trivializes date rape by comparing it to having your car wrecked and putting it at the end of the Vagina Monologues?! That’s just fucked up.
Towards the end of the monologue, while Joe-college reminisces and regrets never standing up to his friend, the manly stud date rapist, he proclaims, ‘Rapists are cowards who pray on the weak and vulnerable.’.
My brain screams: “WTF?! Pleeeeease tell me he didn’t just say that!!!!”
1 out of 4 women are not weak and vulnerable. Survivors of sexual assault and rape are the strongest, most persevering women I have ever met. We walk through a physical death only to come out on the other side and move on. We deal with that violation every moment of every day physically, emotionally, inter-personally and we still live fulfilled lives, we love, we hate, we party, we study, we march, we scream…
That is the point of the Vagina Monologues. BamatMabat (who I still admire for their amazing work) spent all of that time building a show which inspired me, empowered me, reminded me what I love about myself and my sisters, but then allowed a man to take a shit on all of those feminist ideals.
Because really, the point of vagina empowerment is that we don’t need a male perspective, voice or presence in order to be relevant, discuss ourselves, celebrate ourselves and be ourselves.
The existence of the ‘manalogue’ implies that the women who agreed to the ‘manalogue’ somehow subconsciously felt they needed to validate their vaginalogues by involving a man. As if the manalogue was the sigh of relief that would justify the euphoria that has just been created by an amazingly brilliant and fierce all female cast and crew. As if all of that woman powered defiance, acceptance and empowerment needed justification, and objectification by a man in order to be real.
I just think VDay and the Vagina Monologues should be about women, by women and for women from beginning to end. I think that men can be great supporters and audience members but this one day should be ours… All Ours.
I think this review might be a bit contraversial- so please comment. I really want to hear what participants, readers and audience members think…